Sunday, 27 February 2022

Talking the walk in Walkeshwar

After over two years, I got to go to an in-person Khaki Tours walk again. This one, "Sacred Banganga", was in the Walkeshwar area, near Malabar Hill. 

We convened at Walkeshwar bus depot, and Ninad the guide gave a brief history of that area of Mumbai. The area was named "Malabar" simply as an extension of the west coast - and those who looted British ships called Malabar pirates. When the Governor shifted his residence from Parel to Malabar hill, his rich associates moved as well, and even today the area is noted for Raj Bhavan and other generally affluent residents. (Apparently Raj Bhavan is open for tours, including an underground bunker - future post sorted!) The area used to be a hunting ground.


Raj Bhavan is on the left. The planned Shivaji statue is to be built in the sea, roughly the centre of the image.

Then it was time to see the temples. The first was a shrine of Khandoba, a form of Siva. This deity is an example of syncretic beliefs - he has five wives, all from different communities, including a Muslim, so the worship and festivals would involve everyone. A large Khandoba temple exists in Jejuri, in Pune district, incorporating elements of Islamic architecture (some say it was to look like a mosque from afar to avoid being razed by invaders).

We then turned into the narrow streets leading to Banganga tank. There is an office of Mangaldas Nathubai trust - the same Mangal of Mangal Market. In some of the building complexes are samadhis of saints.


The Jabreshwar temple is in one of these narrow, sloping streets. The name is linked to the word zabardasti - the street was taken by force and the temple built by Ramdas Nathubai. 

Notice the winged angels! 

 

We then descended on Banganga tank itself. By the tank were many towers with grooves for lamps. The story goes that Lord Rama, while on his exile, met Rishi Gautama here. When the Rishi was thirsty, Rama shot his arrow at the ground and drew water — hence, ban-ganga. The water is considered as holy as Ganga water. (Fellow walk attendees' reaction: polite smiles and nods.)

The guide later informed us that the band Coldplay had visited this area to shoot a music video, and so had Prince William and Kate Middleton. (Fellow walk attendees' reaction: wows and gasps!)

It was time to peek into just a handful of the many, many shrines around the perimeter of the tank. The first was a Parashuram shrine. This was built in the 60s. Next door is the residence of the Bhansali family (of Sanjay Leela).


The Rameshwar and Walkeshwar temple spires as seen through the Parashuram temple.
 

Also in the area is a Punjabi Dharamsala, site of Bollywood's famous Holi parties. 

The tallest spire is of the Rameshwar temple. This and the Ganapati temple just opposite were built by Pathare Prabhu families. Adjacent is the Lakshmi Narayan temple which has elements of Gujarati architecture.

 
Old and new?

The Walkeshwar temple, which gives the area its name, is actually vAlukA (sand) + ISvar — the lingam was fashioned out of sand by Rama. (The Marathi word for sand is also vALU / वाळू.) The current temple structure was built by Rama Kamti in the 18th century.

There is a Vitthala temple, but with the idol in the form of Srinathji from Rajasthan. There is a Kashi Math (below) managed by a Gauda Saraswata Brahman trust. There is a Hanuman shrine where he is holding a dagger. It would take hours to see everything in all its detail. 

This (below) was the house of Pandit Vishnu Narayan Bhatkhande, who is responsible for the Bhatkhande lipi in Hindustani music and the thaat classification of ragas. In another world, this would be a museum.

Also by the tank are other interesting sites: a Hindu burial ground, for certain communities and cases where the dead are to be buried and not cremated. There is a dhobi ghat with a freshwater well, even though we are right by the sea. 

Descending the steps into the tank, one can see hero-stones. Tucked behind another structure is a stone from the original Walkeshwar temple. Geese and cats abound. The source is shaped like the source of the Ganga river, Gomukh. 

Guide Ninad with again, old and new.

Another shrine (below) is that of Santoshi Maa. This relatively minor goddess was propelled to stardom of sorts by the Hindi film of the same name. 


One temple we got to go inside was the Balaji temple (or Vyankatesh, as He is known here!). It is built in the Peshwai style, with space above the entrance for musicians. Above the idol is a dome, like in the Bengali style. There is a sculpture of Hanuman, this time with a bow!


Just by the tank is the Siddheshwar temple (below), built by Raghunath Rao, who was the son of Peshwa Baji Rao but never became Peshwa himself. He came to Bombay after being exiled for conspiring against his own family.


Our final stop was one more shrine on a street leading away from the tank: a Jagannath temple (below). Inside the main shrine are tiles with paintings by Raja Ravi Varma.


The temples were islands of quiet, even though outside was business as usual with people milling around and children playing. (This is probably not the case during pitru-paksha time when large crowds descend upon the tank to perform offerings to their ancestors.) The area is well worth another, longer visit!

The rough route, starting at Khandoba (can't go anticlockwise after all :))

Wednesday, 26 January 2022

Dipping a toe into Marathi

After two years here, I will grudgingly admit my Hindi is quite up to par. I remember the exact moment I realised this - when I told a friend "tumhari marzi" - probably not a thing a tentative newbie would say. Apologies to anyone hoping to see me in a "Hindi theriyaadhu poda" t-shirt.

Luckily, the blog URL also works in Marathi. So that is my new project!

As someone already interested in languages, this is turning out to be a fun endeavour. It is handy to be able to peg new words/concepts to already known ones in other languages, while also being an intellectual exercise. In some respects it is more like Tamil (having an inclusive and exclusive "we"!) but in most, it is similar to Hindi and Sanskrit (most vocabulary words and unfortunately, gendered inanimate objects.) 

Learning Sanskrit has drawn my attention to things which native speakers probably don't even do consciously - for instance, systematically listing noun and pronoun cases (vibhaktis), and adjectives agreeing with the noun they are describing in gender and number. 

Knowing Hindi/Sanskrit should not give one a sense of complacency, however - there are differences just in the script. There is of course the delightful ळ which is new. There is also an "overloading" of च and झ - apart from the usual sounds they also sometimes denote tsa and zha (not to be confused with the Tamil ழ, a completely different sound) and it is not immediately clear which to use. (Sometimes it's different pronunciations in different forms of the same word, eg आमचा/आमची are aamtsa/aamchi!) These contribute to the quite distinct sound of Marathi, which I really enjoy.

Currently I am learning from an old-worldly little book to learn Marathi through English, and from YouTube videos - mainly Bharatiya Digital Party and its sister channels (helpfully subtitled). This is still mostly consumption, not creation - which is well suited to the intellectual exercise and my fear of making mistakes. However I will soon have to let go of that and just speak, and also learn to accept why some things are the way they are without a "good" reason. There may not always be a straight line from Proto-Indo-European to Sanskrit to Marathi. Languages are living entities with their idiosyncrasies and that is precisely the charm.

If any of you have learnt a language as an adult, and have tips to share, please do so!

Dee-fence!

     Earlier this year, I had the good fortune to visit Toronto for two months for an academic project. In that time, I tried to take in as ...